![]() The 135-minute facial begins with the high-tech deep cleanse of the HydroFacial and proceeds with seven masks, including four collagen masks, a papaya enzyme, and a medical-grade LED light mask. “It’s definitely a once-in-a-lifetime experience for a lot of people,” says Becky Bence, Lake Austin Spa Resort lead esthetician. The Regal was designed in Switzerland exclusively for LakeHouse Spa, and Austin is the only place in the world to get it. In anticipation of its milestone anniversary in 2022, the Lake Austin Spa Resort’s LakeHouse Spa partnered with Swiss luxury skincare brand Valmont to introduce the new facials, which are as cutting-edge as they are indulgent.Ĭreme de la creme among them is The Regal by Valmont, which costs a jaw-dropping $1,050. As a result, the dreamy destination spa now offers some of the most opulent, exclusive, and - at upwards of $1,000 - most expensive facials in the world. When the Lake Austin Spa Resort went shopping for a 25th-anniversary gift for guests, it aimed higher than traditional silver and picked treatments that incorporated gold, diamonds, and caviar. Several of the extended segments contain nothing but the overwhelming sound of water rushing or waves crashing, audio that almost feels like water torture after a minute or two. ![]() At seemingly random moments, he inserts loud heavy metal music, a soundtrack that rarely fits the imagery being shown on screen. ![]() However, the method which Kossakovsky uses in his filmmaking led to one of the most frustrating and assaulting movie experiences of my life. Humans are shown to be helpless against the unrelenting nature of it, and the film offers no answers. In every instance, water or ice is shown to be even more powerful and destructive than we already know it to be, and the results are scary. Other segments show glaciers calving, a flooded community in an unnamed Latin American country, a hurricane in what appears to be Miami, a flooding of a spillway, and a crew of a boat trying to control it during a storm.Įven with very little dialogue or graphics to guide you, it’s obvious that the throughline of the film is climate change. The deliberate nature of the segment portends the methodical nature of the film as a whole. He proceeds to then show an excruciating 15-20 minute segment of either people driving on the precariously thin ice or other people attempting to rescue those foolhardy souls after their cars fall through the ice. Kossakovsky starts the film on what the press notes say is Russia’s Lake Baikal, but you wouldn’t know it because he provides no location information. There certainly is a lot of water in different forms, but what the film doesn’t contain is much clarity. The synopsis of the new documentary Aquarela - “From massive waves to melting ice, filmmaker Victor Kossakovsky travels around the world to capture stunning images of the beauty and raw power of water” - both undersells and oversells what the film actually contains.
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